Truth be told, I don't usually work in collections. I usually find myself working on a number of things all at once – all a bit different, yet in my unique style.
I wanted to challenge myself with a new series and a new substrate – paper. I found so much freedom in working on paper! The result is a series of abstract landscape original paintings that I'm calling the "Elusive Collection" because they came from places in my mind that are hard to define – essentially fleeting memories. I think we all have "happy" places our minds go. I hope you feel joy and a sense of peace when you look at these.
Art on paper is a wonderful way to start your art collection. These pieces come unframed, but you can easily add a frame that fits in with your decor. Professional framing and matting is always a good choice; however, you may frame these yourself, as each piece fits in a ready-made 11" x 14" frame. If you prefer them matted, you can purchase a mat and frame separately, and easily put it together for a finished look. The above picture gives you an idea how this will look.
Hang one painting for a small space, or hang two or more together for a larger area. The options are endless! These can also be propped on a shelf.
These original paintings are on heavy weight, acid free, cold press watercolor paper. The paintings are 9” W x 12” H with a 1” border. The paper size is 11” x 14.” Believe it or not, works on paper can have texture too! These paintings were created with a combination of brushstrokes and a palette knife. They shimmer with touches of iridescent paint. Each piece has a satin varnish to protect it from dust and UV rays.
Do you struggle when hanging artwork in your home? Here are some tips to help you out:
Hanging on a blank wall:
One rule of thumb to remember is to hang artwork at eye level. This is what museums do. If you need measurements, experts say to make sure the midpoint of the art is around 60 inches from the floor. Once you’ve measured 60 inches from the floor, mark it on the wall. Next, find the midpoint of the artwork by measuring its height and dividing by two. Measure the top of the artwork to the tightened hanging wire or hook it will hang from. Subtract this number from the midpoint number. Take the new number and measure that distance above the 60 inch mark. This is where the hanger should be placed, so mark this spot. Note: if your ceilings are higher than eight feet, you can hang artwork a bit higher. Just stick with the same midpoint throughout your house for consistency.
Hanging Diptychs or Triptychs:
Follow the same rules above. Remember to account for the space between each piece. This space should generally be 3 to 8 inches. Once you have each hanging location measured on the wall, take a long strip of painter’s tape and connect the marks (without covering them up). Now take a long level and adjust the tape and marks as needed. Hammer in your nails, remove the tape and hang your pieces!
Hanging over a sofa, headboard, mantle or other furniture:
You can’t follow the 60 inch rule when hanging artwork over furniture or a mantle. Instead, the artwork should be about two-thirds the width of the furniture. The bottom of the art should be 5 to 10 inches above the furniture piece. So often I see people buying artwork that is too small for the space it is intended for. When in doubt, go larger so your art doesn’t look like it’s floating in space.
Hanging a gallery wall:
Gallery walls can be a challenge to hang and your walls can end up looking like Swiss cheese if you don’t do it correctly the first time.
Hopefully this will take the stress out of hanging artwork in your home! Check out some of my latest works here.
Have you ever wondered why an artist charges X amount of dollars for an original painting? I’ve heard people say, “Wow, $1,000 is a lot of money for a painting. You must be making a killing!” Hmm… not quite. There are a lot of variables involved and it’s different for each artist. Here’s a general cost breakdown to give you a better idea.
Time – Prepping. Planning. Painting. This takes time. Some artists have a formula they use to calculate their time into an hourly rate. Time is also a factor when it comes to art shows. It takes time to set up and take down a show and most shows require the artist to be in attendance during the show to help sell their work. Drive time is also a factor.
Materials – That professional-grade canvas can cost upwards of $100 each. Professional paints can cost $15+ per 2 oz tube! Not to mention brushes, varnish, framing/wiring costs, and other studio materials that all come into play.
Taxes – This is a big one and multi-faceted. First, there’s the obvious sales tax. Yes, just like any other business, artists must charge tax. Artists don’t pocket this money, but they have to keep up with it. Taxes must be filed monthly or quarterly. I mentioned the word business. Did you know artists are small business owners? That means artists have to keep up with every expense and sale related to their business. At the end of the year, they are subject to self employment taxes. When all is said and done, an artist must pay approximately 40% in taxes on EACH sale!
Space – Some artists pay a monthly fee for a studio space. If the studio space includes a retail avenue, the price goes up.
Gallery, Retail, Art Show, or Online Gallery Representation – If you purchase art through any of these venues, that venue usually takes a 30 - 50% commission off the top. Some also charge an additional booth fee. Sales tax is often not collected in addition to an art show price, so the artist must factor taxes into the price. Some shows require artists to supply their own tent, tables, lighting and other equipment. Artists also have to consider the cost of gas and hotel accommodations if they have to travel to and from a venue. In order for an artist to make a profit selling art in these venues, they have to raise their prices.
Shipping – If shipping is involved, sometimes artists absorb a portion of these costs. Boxes and packing supplies cost money and often the collector is only charged a portion of the actual shipping costs.
Notoriety – Picasso didn’t sell his first painting for millions. He had to make a name for himself and develop a unique style. Oftentimes artists spend years schlepping their art from show to show, from city to city. They sometimes do work for exposure only. Then when they become popular or ‘famous,’ it boils down to supply and demand.
Marketing – If an artist paints it, then everyone will see it and the buyers will just know where and how to find them, right? Not exactly. Most artists don’t start out having the funds to have someone market them to the world in order to find their target audience. It’s up to the artist to set up and maintain social media accounts and generally an artist needs a website. Unless the artist is also a web designer, a professionally designed site costs upwards of $500 to create. Then you have to pay a yearly fee to keep it active and that’s around $350. Professional headshots and studio shots help, but are an added expense. Business cards and advertising costs add up quickly. Credit card fees are also an additional expense.
It’s a Unique Investment – Each original piece that an artist creates is a one-of-a-kind. A similar piece may be made, but it won’t be exactly the same. An original is always worth more than a print. If you invest in an emerging artist, the piece may quickly double its value in a short amount of time. Think of it this way… anybody can go out and buy the same fancy car as you, but no two people can have the same original painting!
Talent – Okay, that’s a given. You can’t teach talent. It’s God-given. Some people have more than others, but it’s what you do with what you have that matters. If an artist is able to harness his or her talent in a way that speaks to a collector making them feel like they have to own that particular piece, then that’s something you can’t put a price on.
Here’s the bottom line… if you are buying from a professional artist, you are supporting a small business! Artists have bills to pay and families to support just like everyone else. It takes hard work, dedication and a lot of rejection. Artists are frequently told no or they lose a sale or an opportunity. An artist must have a thick skin in order to survive in the art business.
It comes down to passion. Artists LOVE what they do. When someone spends their hard earned money on something an artist created from scratch with their God-given talent and hard work, it makes their heart sing. It makes it ALL worth it. An artist is so happy when their art speaks to you and it makes them keep going no matter how daunting it may be!
If you know an artist, but aren’t in a position to buy their art, you can still help them. Like and comment on their social media art posts, spread the word and recommend them to your friends. Come to their shows or events just to show your support. Encouragement goes a long way.
So now that you know how pricing works and you want to support an artist today, head on over to my shop ;)
© 2019 Vanessa Sharp Multon. Image credit: Thom Masat